2016

2015

2013

2012

2011

  • Bennett, C. L., R. McNeer, and C. Leider. 2011. “Urgency Analysis of Audible Alarms in The Operating Room.” Proceedings of the 2011 Conference of the International Society for Music Information Retrieval. Miami, Florida.
  • O’Neill, J. 2011. “Analysis-Synthesis Techniques for Additive Granular Synthesis.” Proceedings of the 131st Convention of the Audio Engineering Society. New York: Audio Engineering Society.
  • Montag, M., and C. Leider. 2011. “Wave Field Synthesis by Multiple Line Arrays.” Proceedings of the 131st Convention of the Audio Engineering Society. New York: Audio Engineering Society.
  • Minnick, P. 2011. “Harmonic Distortion Analysis in a Class-AB Tube Amplifier: The McIntosh MC-240.” Proceedings of the 131st Convention of the Audio Engineering Society. New York: Audio Engineering Society.
  • Rajagopal, K. 2011. “Automatic Soundscape Classification via Comparative Psychometrics and Machine Learning.” Proceedings of the 131st Convention of the Audio Engineering Society. New York: Audio Engineering Society.
  • Bennett, C. L., R. McNeer, and C. Leider. 2011. “IEC Audible Alarms Exhibit Urgency Mismatch.” Proceedings of the 2011 American Society for Anesthesiologists Annual Meeting. Chicago, Illinois.

2010

  • Bennett, C. L., D. Harris, A. Tankanow, and R. Twilley. 2010. “Effects of oversampling on signal-to-noise ratio using swept-sine analysis.” Proceedings to the 129th AES Convention, Paper 8232. New York: Audio Engineering Society.
  • Leider, C., D. Mann, and D. P. Dickinson. 2010. “Wireless Multisensor Monitoring of the Florida Everglades: A Pilot Project.” Proceedings of the 129th AES Convention, Paper 8186. New York: Audio Engineering Society.
  • Bennett, C. L., and Ö. Özdamar, Ö. 2010. “Swept-tone transient evoked otoacoustic emissions.” Journal of the Acoustical Society of America 128(4):1833–1844.
  • Bennett, C. L., and Ö. Özdamar. 2010. “High-frequency TEOAE acquisition with auditory canal compensated clicks using swept-tone analysis.” Journal of the Acoustical Society of America 127(4):2410–2419.
  • Burns, K. H., and C. Leider. 2010. “The Water Moves: An Interactive Sound Piece for Children.” Proceedings of the 2010 World Forum on Acoustic Ecology: Ideologies and Ethics in the Uses and Abuses of Sound, Koli, Finland.

2009

  • O’Keefe, P., and C. Leider. 2009. “Audio Effect Control via Head-Position Estimation.” Proceedings of the 2009 International Conference on Haptics and Audio Interaction Design, Technische Universität Dresden, Germany.
  • Leider, C., D. Mann, D. Plazas, M. Battaglia, and R. Draper. 2009. “The elBo and footPad: Toward Personalized Hardware for Audio Manipulation.” Proceedings of the 2009 International Conference on New Interfaces for Musical Expression, Carnegie Mellon University.New York: Association for Computing Machinery.
  • Leider, C. 2009. “Progress Report: Personalized Tools to Enhance Musical Creativity.” National Science Foundation CreativeIT Conference, Arlington, Virginia, January 16.
  • Leider, C. 2009. “Personalized Tools to Enhance Musical Creativity.” Invited talk, University of Florida, Gainesville, March 19.
  • Humphrey, E., and C. Leider. 2009. “The Navi Activity Monitor: On Using Kinematic Data to Humanize Computer Music.” Proceedings of the 2009 International Conference on New Interfaces for Musical Expression. New York: Association for Computing Machinery.
  • Humphrey, E., and C. Leider. 2009. “The Navi Activity Monitor: On Using Kinematic Data to Humanize Computer Music.” Proceedings of the 2009 International Conference on New Interfaces for Musical Expression. New York: Association for Computing Machinery.
  • Leider, C., and K. H. Burns. “The Water Moves: An Interactive Installation for Children.” Third Practice 2009 Festival, University of Richmond, Richmond, Virginia, November 7.
  • Leider, C., and K. H. Burns. 2009. “Acoustic Documentary as Music Composition: Two Recent Case Studies.” Proceedings of the World Forum on Acoustic Ecology 2009. Mexico City: Fonoteca Naccional.
  • Leider, C., and K. H. Burns. The Water Moves. Third Practice 2009 Festival, University of Richmond, Richmond, Virginia, November 7.
  • Leider, C., M. J. Freeman, P. O’Keefe, S. Molfetta, and M. Montag. “An Economical Multi-Touch Table for Interactive Applications.” Poster presented at the 2009 University of Miami Innovation Technology Showcase, Four Seasons Hotel Miami, November 18-19.
  • Leider, C., D. Mann, D. Plazas, M. Battaglia, and R. Draper. 2009. “The elBo and footPad: Toward Personalized Hardware for Audio Manipulation.” Proceedings of the 2009 International Conference on New Interfaces for Musical Expression, Carnegie Mellon University.New York: Association for Computing Machinery.
  • Leider, C. 2009. Twin Prime Conjecture for B-flat clarinet and laptop, commissioned by Arthur Campbell. Premiere performance at the Urban Institute for Contemporary Arts, Grand Rapids; additional performances at the Third Practice Festival 2009 and forthcoming at Dartmouth, NYU, and Miami. The composition uses sensor technology and software developed by undergraduate students Pat O’Keefe and Mark Freeman.
  • Santoro, C., and C. Cheng. 2009.  “Multiple F0 Estimation in the Transform Domain”. Proceedings of the 10th International Society for Music Information Retrieval Conference, Kobe, Japan.
  • De l’Etoile, S., and C. Leider. 2009. “Acoustic Parameters of Infant-Directed Singing in Mothers with Depressive Symptoms.” Paper presented at the 2009 Annual Conference of the American Music Therapy Association, San Diego, November 13.
  • Cano, E., and C. Cheng. 2009. “Melody Line Detection and Source Separation in Classical Saxophone Recordings.” Proceedings of the 12th International Conference on Digital Audio Effects, Como, Italy, September 4.
  • Deslauriers, G., and C. Leider. 2009. “A Bandlimited Oscillator by Frequency-Domain Synthesis for Virtual-Analog Applications.” Proceedings of the 127th Annual Convention of the Audio Engineering Society. New York: Audio Engineering Society.

2007

  • Leider, C. 2007. “Multichannel Audio in Electroacoustic Music: An Aesthetic and Technical Research Agenda.” Proceedings of the 2007 IEEE International Conference on Multimedia and Expo, Beijing, July 5. New York: Institute for Electrical and Electronics Engineers.
  • Leider, C., and K. H. Burns. 2007. “The Sound Recordist as Composer: Practical and Aesthetic Concerns.” Proceedings of the Workshop on Computer Music and Technology 2007, National Chiao Tung University, Taiwan University, March 24–25.
  • Leider, C., and K. H. Burns. 2007. “Multichannel Field Recording as Music Composition.” 2007 National Conference of the Society for Electro-Acoustic Music in the United States, Iowa State University of Science and Technology, March 8.
  • Kirk, T., and C. Leider. 2007. “The FrankenPipe: A Novel Bagpipe Controller.” Proceedings of the 2007 Conference on New Interfaces for Musical Expression, New York, June 6–10. New York: Association for Computing Machinery.
  • R. Radhakrishnan, C. Bauer, C. Cheng, and K. Terry. 2007. “Audio Signature Extraction Based on Projections of Spectrograms.” Proceedings of the 2007 IEEE International Conference on Multimedia and Expo, Beijing, July 5. New York: Institute for Electrical and Electronics Engineers

 

2006

  • Leider, C., and K. H. Burns. 2006. “Practical and Aesthetic Considerations of Multichannel Field Recording: A Case Study.” Proceedings of the 2006 International Computer Music Conference, New Orleans. San Francisco: International Computer Music Association.